Neurotic Conflicts in Joyce's The Dead by Michael Mulvihill
Overview In The Dead, James Joyce masterfully explores the Johari Window—shedding light on the blind spots, unspoken truths, and unconscious desires of his characters. The story captures the tension between what is and what could have been, as time transforms lived experience into memory. Regret clings to the aging, weighing them down with thoughts of unmet desires and missed opportunities. At the heart of the narrative lies the collision of daily duty, societal expectations, and conformity with suppressed longing. Catharsis, muted by middle-class propriety, gives way to unspoken dissatisfaction. Silence prevails, particularly in the presence of Mr. Browne, “of the other persuasion,” whose mere existence underscores the characters’ discomfort with difference. The house, with its four stories, serves as a microcosm of life itself: a space of banquets, dances, and drinks that conceals deeper conflicts. Beneath the surface, Joyce presents characters trapped in the mundanity of their lives...